The great news this week is that the installation was published in the April 21st version of Siuslaw News. The article, by Wesley Voth, deserves a thorough read, which you can do below: Do you wish to save the changes you have made?
All my life I have heard laments from my elders on changes happening that they believe has ruined a certain place. Most of these have had to do with development, the cutting down of trees, altering of waterways, bigger-faster-straighter-wider roads, disappearing views and skylines, blocked access or fee access to favorite places. Probably I have come to sound just the same. I do realize there are many things that are better, but I do cling to memories and mementos that preserve on some level what is vanishing.
When people first come to places, they have a tendency to name them. The major rivers around here carry the names of original inhabitants (either that or the people carry the names of the rivers with which they were associated), like Siuslaw, Umpqua, Coos, Siletz. Using those names helps keep alive a rich past. Many of the creeks around here still carry the family name of homesteaders, like Labar, Bernhardt, Sweet, Hadsall, Shoemaker, Thompson, and some of these then also lend their names to the roads that follow them. Some of the burgs as well—Brickerville for example is named for the Brickers. But then there are also the descriptive: Mapleton, Tide, Swisshome, Deadwood--and places, like Rainrock, Firo, Point Terrace, Dead Dog Hole.
As a culture we have ways of clinging to disappearing images and names—photographs of former generations and icons, paintings of dammed waterfalls or long ago torn down covered bridges, published books and diaries, keeping old maps that show routes and names and understandings that would otherwise fade into oblivion.
Not that long ago this area was characterized by salmon canneries and lumber mills, most now the faintest shadow beyond historical archives. Of those now only one mill in the area continues to operate, American Laminators in Swisshome; just downriver from the functioning mill the old Murphy Veneer Plant is an empty shell.
On Saturday night April the 28th from 6:00 – 11:00 pm this shell will be the arena for an artistic rendering of a scene from the past. Fine Arts student Andrew Van Dyk from the University of Oregon is planning to bring light to bear on this structure. To quote his intentions, “The Night Shift - a large scale light installation - seeks to breathe new life into the Murphy Veneer Plant, abandoned in the early 1990's near Swisshome, Oregon. More than 20,000 watts of generator powered light will illuminate the structure and resurrect the memory of the abandoned lumber mill. On the evening of April 28, 2007, the Murphy plant will be brought back to life for one last night.” More information including his thinking and planning is available on his website www.nightshift07.com
The event will give curious folk the opportunity to view the structure close up without having to trespass. And it is likely there will be those there who can speak firsthand about the operating days of the plant; I’m looking forward to seeing what the now full-of-holes building will look like at night with powerful light beams angling out through every crevice and opening into the night sky. A one-of-a-kind event. Maybe I’ll be inspired to print out the poster to remind myself of that time in the distant past when that guy lit up that place that used to be where the something or other is now…